top of page
ikutama1.jpg

KAGURA STUDIES

Akiko Hirai

HIRAI_Sugisawa2.jpg

WELCOME

Welcome to my new page!

This website helps you discover the Japanese ritual dance and theatre known as kagura.

To celebrate its 10th anniversary, I have renewed this site to provide you with more information and materials. Enjoy!

About Me.

Akiko Hirai is an ethnomusicologist and anthropologist who obtained her Ph.D. in Musicology from Sorbonne University in 2020 under the supervision of Professor François Picard. Her research focuses on the kagura, Japanese ritual theatre and dance, with particular emphasis on the ritual techniques integrated into dance choreography. She is currently preparing her postdoctoral dissertation in Religious Studies on the ensemble of ritual pieces featuring the old man masks called Shikisanban and their dissemination in folkloric theatre in the northwestern regions of Japan, at the École Pratique des Hautes Études in Paris, France. She is also a postdoctoral researcher at the East Asian Civilizations Research Centre.

Akiko began studying piano at the age of 4. She obtained her Master of Liberal Arts and Humanities from Ochanomizu University in Tokyo, Japan, in 2004, majoring in Vocal Performance and Japanese Ritual Music Research. After graduation, she moved to France in 2008 to further her music studies with Hungarian opera singer Ms. Sylvia Sass. In addition to vocal lessons, she enrolled at Paris-Sorbonne University (Paris IV) in 2010 to study ethnomusicology and later earned her second Master's degree in Music and Musicology in 2013.

 

She is a member of the Society of Folkloric Performing Arts of Japan, the Musicological Society of Japan, and the French Society of Ethnomusicology.

Education

2022- current

Post-doctoral study in Religious Studies​
École Pratique des Hautes Études (PSL)/ CRCAO

Supervised by Professor Matthias Hayek. Attached to the East Asian Civilizations Research Centre  (CRCAO). 
My postdoctoral research focuses on ritual techniques, such as magical steps (henbai/uho), integrated into the choreography of the Shikisanban repertory (ritual pieces in Noh theater).
I am also interested in the process of how Noh theater survived as the official performing art of the Tokugawa Shogunate during the Edo period.

 

2010-2013

Ph. D in Musicology (Ethnomusicology major)
Sorbonne University/ IReMus

Supervised by Professor François Picard. Attached to the Institut de la recherche en musicologie (IReMus). 
My Ph.D. research aims to analyze the religious connotations of Kagura, a Japanese ritualistic dance and theater, by examining the choreographic and musical structure of the ceremonies in which it is performed. Kagura is considered a communication tool between humans and deities (called kami). Because no academic definition has been established yet, the term does not represent any specific musical characteristic. Furthermore, it remains unclear how sound or music functions to fulfill the ritual purposes of the ceremony. To clarify this, I examined five examples, primarily the Odaidai ceremony held at the Kawaguchi Asama Jinja shrine in central Japan. My structural analysis revealed that shamanic techniques are embedded in its choreography.

2013-2020

Master of Musicology Ethnomusicology Major)
Sorbonne University (France)

Supervised by Professor François Picard, during my Master's studies at the Sorbonne, I also participated in the seminar of Dr. Jérôme Cler, a specialist in Turkish music. Additionally, I had the great opportunity to join the seminar on French medieval theatre led by Dr. Isabelle Ragnard.As a continuation of my previous research in Japan, I focused on the musical accompaniment of the Sugisawa Hiyama dance. From its 14 repertoire pieces, I selected 5 dances considered to be ritual dances. I clarified the relationship between the structure of the music, the script’s instructions, and the music actually performed.

2004-2006

Master of Human Sciences, Ochanomizu University (Japan)

My major was Vocal Music; however, I chose kagura for my bachelor's dissertation. When I was a junior, I visited the town of Yuza in Yamagata Prefecture in northwest Japan to observe a dance/theatre called Sugisawa Hiyama during the annual ancestral ceremony (bon).

  • Instagram
  • Youtube

© 2025 by Akiko Hirai

bottom of page